[Flash 9 is required to listen to audio.]

Mr Gaiman and Mr Hodgman continue their conversation about Audio Books. Here they talk about the upcoming audiobook release of Robert Sheckley’s DIMENSION OF MIRACLES and why it sometimes feels like a strange cross between Hitchhiker’s Guide to the Galaxy AND Mad Men at the same time.

(It’s about five minutes of us burbling.)

ArtistMr Gaiman & Mr Hodgman In Conversation about READING
AlbumDimension of Miracles
[Flash 9 is required to listen to audio.]

Mr Gaiman and Mr Hodgman discuss Audiobooks, and how much fun it is or isn’t to record them, also several of the dangers involved for the unwary.

ArtistMr Gaiman & Mr Hodgman In Conversation about READING
AlbumDimension of Miracles

ACX - if you’re a writer, an actor, a producer

I thought I’d remind those of you on Tumblr who are writers, producers or actors (and that smaller group of you who are “rights holders”) that ACX - Audiobook Creation Exchange - is a wonderful thing, and it works. 

Here’s the press-release type anouncement we did when it went live: http://www.acx.com/neil

And here’s how ACX explains itself:

To understand what ACX is, imagine an open marketplace, one where anyone who holds the rights to an audiobook—an author, agent, or publisher—can be matched with the narrators and studio professionals who can get those audiobooks made.

At the heart of the system is this idea: The rights to an audiobook often remain unrealized and the book is never recorded. And there’s huge potential sitting there, too—the potential for creative work, the potential for new income, and the potential for good listening.

Consider this: In 2009, while the market for digital media was expanding enormously, about one hundred thousand books were published, and not even five thousand of those were produced as audiobooks. We view those idle audiobook rights as a ready and clear opportunity for everyone. 

Whether you’re a Rights Holder or Producer, here is how ACX can help you:

  • If you’re a Rights Holder—meaning you hold audio rights to a title—you can find an audiobook Producer on ACX who can bring that title to life, or an audio publisher who wants to buy those rights. You can also choose to take control of your audiobook and narrate and produce it yourself. When done, send it to Audible and distribute it through ACX.
  • If you’re an audio publisher, you can expand your offerings by finding new titles on ACX to produce.
  • If you’re a Producer—meaning a narrator, studio engineer, or studio professional with the capability of producing a commercial-ready audiobook—you can use ACX to find more work. Work that you’re passionate about.
  • If you’re a print book publisher, use ACX to create an account as a Rights Holder and engage Producers to produce audiobooks for your titles. Eventually you can have a catalog of audiobooks to offer for sale.

This is what ACX is all about: opening alternative channels of access, collaboration, and income.

I’m really excited. Ellen Kushner’s SWORDSPOINT has gone live over at ACX. Ellen Kushner reads, with a supporting cast of voice actors (including Hitchhiker’s Guide’s Simon Jones)  Go to this page, listen to the sample, and you’ll want it to keep going…
“A glorious thing, the book we might have had if Noel Coward had written a vehicle for Errol Flynn. It’s wicked and visual and witty, and it pulls you in like the doorman of a Bourbon Street bar.” (Gene Wolfe)
“Swordspoint begins with a single drop of blood on a field of new-fallen snow, an image that burned itself forever into my mind the first time I encountered it. I can close my eyes and see it still. It’s a terrific opening, an unforgettable opening… and the book just gets better from there.” (George R. R. Martin)

I’m really excited. Ellen Kushner’s SWORDSPOINT has gone live over at ACX. Ellen Kushner reads, with a supporting cast of voice actors (including Hitchhiker’s Guide’s Simon Jones)  Go to this page, listen to the sample, and you’ll want it to keep going…

“A glorious thing, the book we might have had if Noel Coward had written a vehicle for Errol Flynn. It’s wicked and visual and witty, and it pulls you in like the doorman of a Bourbon Street bar.” (Gene Wolfe)

“Swordspoint begins with a single drop of blood on a field of new-fallen snow, an image that burned itself forever into my mind the first time I encountered it. I can close my eyes and see it still. It’s a terrific opening, an unforgettable opening… and the book just gets better from there.” (George R. R. Martin)

I remember reading a piece by Harold Bloom where he explained that audiobooks were not books because the proper experience goes in through the eyes. The reading experience is only an ocular experience, not an auditory one. That had me sitting there thinking about old John Milton, who obviously was not a proper writer at all because he couldn’t even see what he was writing. He was dictating it to his daughters who wrote it down. What kind of a faux poet was he? http://www.salon.com/2011/11/23/neil_gaimans_audiobook_record_label/singleton/

The first “Neil Gaiman Presents” audiobooks are out:

The first round of NEIL GAIMAN PRESENTS audiobooks consists of:

LAND OF LAUGHS by Jonathan Carroll read by Edoardo Ballerini.

YOU MUST GO AND WIN written and read by Alina Simone

PAVANE by Keith Roberts, read by Steven Crossley

LIGHT by M. John Harrison, read by Julian Elfer

THE MINOTAUR TAKES A CIGARETTE BREAK by Steven Sherrill, read by Holter Graham