asker

theaawalker asked:

Hello, Mr. Gaiman. Fat chance you'll see this, but do you have any advice for aspiring trad authors? I wanna be peak successful. Really leave my mark on the writing community & the world. How would I go about doing that? Could you break it down in, say, ten steps? Or perhaps just share some words of wisdom?

1) write your own books. Don’t try to be like anyone else.

2) Write your own books. When you finish writing a book, start the next one.

3) Write your own books. Don’t worry about the rest of the writing community only about yourself and what you make

4) write your own books. It’s not a competition.

5) write your own books. Say the things only you can say.

6) Write your own books. Don’t get bogged down in the commercial success or failure of a book in the long term. All that matters is the artistic success or failure of what you made.

7) Write your own books all the way to the end. So many frustrated and failed writers don’t get through step one, where they finish writing books people might want to read.

8) write your own books.

asker

t-bombs asked:

Mr Gaiman, I wonder if you can help me. I have so many story ideas but any time I try to work on one I get nowhere and immediately hit a wall. Do you have any idea what I could be doing wrong?

Perhaps you are expecting it to be easy. Walls are there to be climbed or knocked down or gone around. You don’t have to stop just because it gets hard or you get stuck or you don’t know what happens next. If you get stuck, figure out how to get unstuck. If it’s not working, do what you have to do to get it working.


Take the story idea. Write down what you know about it. Write down the characters you know going into it. And then think about where your story starts (which is often not the place that the overall story begins) and whose eyes we are seeing it through and where and how you want to begin.


If you hit a wall, go forward, don’t stop. Skip to the next scene where you know what happens. Write a bad version of a scene you can fix later. Do what needs doing to keep moving.

Rebloggable by request: Write People.

Hi Mister Gaiman! I’m a young, 22 year old writer currently working on a novel that I intend to feature a strong, female lead; however, as a male, I often find myself out of my element. I was wondering if you had any suggestions–are there any books/authors you might recommend that you feel write strong females rather well? Preferably in the sci-fi and/or fantasy genres. Thanks!

I don’t know how to answer this, other than, go and talk to women. There are lots of books you can read with strong women characters but ten minutes talking to a woman will give you more than you’ll get from a hundred books, whether the books are written by men or by women.

Talk to them about what they like and don’t like about the way they are represented in fiction. Talk about hopes and dreams.  Ask any interesting but embarrassing questions you’ve ever wanted to ask but were too male or too shy or too sensible to ask. 

And then, when you’ve done all that, remember that the most important thing to do is to write people who feel like people, and that women are people.

(Also, find out what the Bechdel test is. It is your friend.)

On Writing. (A bit long. Sorry.)

I got up this morning, and read the thirty or so questions that people had left in the last 8 hours. And apart from the few that wanted to tell me that, honestly, there’s nothing in the whole world like a photo of a gentleman holding a small yellow chainsaw, most of the rest of them were writing questions, about how you start writing and how you continue, and how you keep going when people criticise you and so on. And I thought, all this is stuff I’ve covered so extensively over on my blog at neilgaiman.com… and 90% of the answers were probably in one post. It was called On Writing.

http://journal.neilgaiman.com/2004/02/on-writing.asp


TUESDAY, FEBRUARY 03, 2004

On Writing

I really don’t want to sit here giving you my life story. It’s boring and too long for me to write or for you to sit and have time to read. I was just told by a graduate school that because of my shabby GPA - a 3.07 - (not my writing sample)that I wouldn’t be admitted to their creative writing program. Anyway, with my writing, it’s just seemed like one thing after another, and I have no one to give me input on any of it since I, quite literally, come from a family of engineers, all very concrete thinkers. My question is this: when do you just give up? I don’t want to but it seems like the only logical thing to do. I’m so tired and frustrated with being deemed a failure. The one week I was actually able to give up writing was the most miserable week of my life. I know you’re busy and I really don’t expect you to answer this email. I just thought it might be nice to talk to someone who might just be able to understand, even if - at this point - I’m just sending a message out into the ether. 

Jarett Underwood
 


I’m not sure what getting into a creative writing program has to do with being a writer. Go and look at Teresa Nielsen Hayden’s list of the 14 things a slush-reader or editor is looking for , and whether you’ve done a creative writing program, have an MFA in writing, or are in fact currently teaching a course in creative writing isn’t on the list. 

(For the record, I’ve never been involved in a creative writing program. In my case, that was mostly because I knew I wanted to be a writer, and had enough hubris to know that I’d rather make my mistakes on the job. It was also because I had a vague suspicion that people in authority might suggest that I should write respectable but dull fiction, and then I’d be forced to kill them, and it would all end in tears or in prison. Many of my friends have enjoyed creative writing programs no end. Some of them teach them.) 

As for giving up, well, sure, if you want to. Being a writer is a very peculiar sort of a job: it’s always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins. It has no job security of any kind, and depends mostly on whether or not you can, like Scheherazade, tell the stories each night that’ll keep you alive until tomorrow. There are undoubtedly hundreds of easier, less stressful, more straightforward jobs in the world. Personally, I can’t think of anything else I’d rather do, but that’s me. 

If you want to be a writer, write. You may have to get a day job to keep body and soul together (I cheated, and got a writing job, or lots of them, to feed me and pay the rent). If you aren’t going to be a writer, then go and be something else. It’s not a god-given calling. There’s nothing holy or magic about it. It’s a craft that mostly involves a lot of work, most of it spent sitting making stuff up and writing it down, and trying to make what you have made up and written down somehow better. 

I think for me the tipping point was when I was a very young man. It was late at night, and I was lying in bed, and I thought, as I often thought, “I could be a writer. It’s what I want to be. I think it’s what I am.” And then I imagined myself in my eighties, possibly even on my deathbed, thinking that same thought, in a life when I’d never written anything. And I’d be an old man, with my life behind me, still telling myself I was really a writer – and I would never know if I was kidding myself or not. 

So I thought it might be better to go off and be a writer, even if what I learned from the experience was that I wasn’t a writer. At least that way, I’d know. 

If it’s input you need, find a helpful bunch of likeminded people, either in real life or on the web. And, as mentioned here before, there's Clarion and Clarion West and Viable Paradise among others for the would-be SF-Fantasy writers. The SFWA has a list of workshops and groups, both virtual and visitable at http://www.sfwa.org/2009/06/links-to-writers-workshops/

It does help, to be a writer, to have the sort of crazed ego that doesn’t allow for failure. The best reaction to a rejection slip is a sort of wild-eyed madness, an evil grin, and sitting yourself in front of the keyboard muttering “Okay, you bastards. Try rejecting this!” and then writing something so unbelievably brilliant that all other writers will disembowel themselves with their pens upon reading it, because there’s nothing left to write. Because the rejection slips will arrive. And, if the books are published, then you can pretty much guarantee that bad reviews will be as well. And you’ll need to learn how to shrug and keep going. Or you stop, and get a real job.