I love these photos. The ANANSI BOYS readthrough day was so special and magical. You can hear it from Christmas Day.
Please listen and tell all your friends to listen, wherever you are in the world. The BBC has never done anything quite like this before, and I’d love to show them that it was worth it.
So this is the cast of the new radio production of Anansi Boys, coming this Christmas.
Some serious talent involved. By serious we mean IMMENSE…..Jacob Anderson, Grey Worm in Game of Thrones.
The legend that is Sir Lenny Henry, long-time friend of Neil and early influence on Anansi Boys, the book.
Nathan Stewart-Jarrett from cult British series Misfits.
Some AMAZING WOMEN including Adjoa Andoh who’s pretty much been in everything from Doctor Who to Thunderbirds are Go to MI High.
Sheila Atim, Pippa Bennett-Warner (Harlots).
Ariyon Bakare who is spellbinding in as butler Stephen Black in Jonathan Strange & Mr Norrell. Also currently cast in the TV adaption of Good Omens.
Earl Cameron 100-year-old movie LEGEND.
And so many more…. See the cast list and 22 photos taken during the recording here: http://www.bbc.co.uk/programmes/b09ghv0c
Coming soon we’ll also be posting up details of how you can listen - anywhere in the world :)
Look!
If you have a few minutes, this is Lenny Henry revealing the secret origin of Anansi Boys and how it came to be. And how amazing it was to be at the table with the cream of the UK actors, all of whom were BAME (except for Julian Rhind-Tutt)…
*screeeches in the background*
I swear @neil-gaiman is singlehandedly trying to make up for every damn thing that went sideways in 2017 - and it’s damn well working!!! *screeches some more*
Happy Christmas to you indeed…
http://bit.ly/AnansiPulp Published October 29th. Robert E McGinnis paints a beautiful retro cover, and Todd Klein does perfect lettering and designwork.
Mr Nancy performs his last Karaoke number before an audience of tourists, in a Florida nightclub…
If you want to see the next three Robert McGinnis RETRO mass market paperback covers (they are for Stardust, Anansi Boys and Neverwhere) click on the link to my blog. http://journal.neilgaiman.com/2016/09/its-ashs-first-birthday-bare-chin-is.html (along with some photos of somebody’s first birthday). I’d love to know what people think. Which ones you like, which ones you don’t.
For me, oddly enough, it’s about wanting mass market paperbacks to continue to be out there and get love from publishers, so this series of McGinnis covers (with Todd Klein design and lettering) is there to make the publisher and bookstores care about the cheapest way to buy the physical books. Because you are much less likely to pick up someone else’s kindle and discover a favourite author than you are to pick up a paperback from a window ledge…
powerful-genderwitch-nea asked: Is there a reason you don't often describe race in characters? when reading Anansi boys I had this weird conception of the characters of Charlie and Spider as white, when on future reads having context it was obvious they should not be.
I actually describe race a lot in Anansi Boys. You know who comes from where, after all, how they talk, what kind of foods they eat. But I only tend to tag the skin colour of the white characters in the book when they first show up.
For example:
"Excuse me,“ said a small white woman with a clipboard, “are these people with you?”
or
He was a middle-aged white man with receding very fair hair. If you happened to see Grahame Coats and immediately found yourself thinking of an albino ferret in an expensive suit, you would not be the first.
or
They went inside: down wooden steps to a cellar where rubicund barristers drank side by side with pallid money market fund managers.
or
Grahame Coats had gone off-white – one of those colours that turn up in paint catalogues with names like Parchment or Magnolia. He said, “How did you get access to those accounts?”
or
Her flatmate, Carol, a thin-faced white woman from Preston, stuck her head around the bedroom door. She was towelling her hair vigorously.
or
She wore a white blouse, and a blue denim skirt, and over it, a grey coat. She had very long legs and extremely pale skin, and hair which remained, with only minimal chemical assistance, quite as blonde as it had been when Morris Livingstone had married her, twenty years earlier.
or
Fat Charlie squeezed in next to a large woman with a chicken on her lap. Behind them two white girls chattered about the parties they had attended the previous night and the shortcomings of the temporary boyfriends they had accumulated during their holiday.
(Those from a quick flip-through, and far from exhaustive.)
I hope people find on a careful reading that the race of the various characters is pretty obvious, and is often described (for example, Daisy’s father is from Hong Kong, her mother is Ethiopian).
I’m sorry you read Fat Charlie and Spider and Mr Nancy and their families as white on first read, but that might have something to do with the way that people’s heads reading a book can default all characters to white, if other information is not immediately supplied, which is a very bad habit, and one I hope Anansi Boys might help people to shed.
And there is, after all, a huge pointer to the race of the title characters in the title…
I expanded the first paragraph of my reply, slightly. Because race isn’t just skin-colour. I remember, when Anansi Boys came out, getting an email telling me off for getting the post-funeral food in the beginning of the book “wrong” and “not doing my research”, because the old ladies weren’t eating Southern Funeral Food, they were eating the food that black people from the Caribbean would eat.
powerful-genderwitch-nea asked: Is there a reason you don't often describe race in characters? when reading Anansi boys I had this weird conception of the characters of Charlie and Spider as white, when on future reads having context it was obvious they should not be.
I actually describe race a lot in Anansi Boys. You know who comes from where, after all, how they talk, what kind of foods they eat. But I only tend to tag the skin colour of the white characters in the book when they first show up.
For example:
"Excuse me,“ said a small white woman with a clipboard, “are these people with you?”
or
He was a middle-aged white man with receding very fair hair. If you happened to see Grahame Coats and immediately found yourself thinking of an albino ferret in an expensive suit, you would not be the first.
or
They went inside: down wooden steps to a cellar where rubicund barristers drank side by side with pallid money market fund managers.
or
Grahame Coats had gone off-white – one of those colours that turn up in paint catalogues with names like Parchment or Magnolia. He said, “How did you get access to those accounts?”
or
Her flatmate, Carol, a thin-faced white woman from Preston, stuck her head around the bedroom door. She was towelling her hair vigorously.
or
She wore a white blouse, and a blue denim skirt, and over it, a grey coat. She had very long legs and extremely pale skin, and hair which remained, with only minimal chemical assistance, quite as blonde as it had been when Morris Livingstone had married her, twenty years earlier.
or
Fat Charlie squeezed in next to a large woman with a chicken on her lap. Behind them two white girls chattered about the parties they had attended the previous night and the shortcomings of the temporary boyfriends they had accumulated during their holiday.
(Those from a quick flip-through, and far from exhaustive.)
I hope people find on a careful reading that the race of the various characters is pretty obvious, and is often described (for example, Daisy’s father is from Hong Kong, her mother is Ethiopian).
I’m sorry you read Fat Charlie and Spider and Mr Nancy and their families as white on first read, but that might have something to do with the way that people’s heads reading a book can default all characters to white, if other information is not immediately supplied, which is a very bad habit, and one I hope Anansi Boys might help people to shed.
And there is, after all, a huge pointer to the race of the title characters in the title…
